木头以自身的存在，重新定义着空间的边界。本案是一套两层居所，设计隐于其后，让材质以自然的语言，在上下之间建立起一种不易察觉的秩序。界而未界，隔而不断，现代风格由此获得一种安静的张力。

Wood, by its very presence, redefines the boundaries of space.  This project is a two-level residence where design recedes into the background, allowing  materials to speak in their own natural language, establishing a subtle order between upper  and lower levels. Boundaries exist yet remain fluid; divisions appear without interruption.  Within this, modern style acquires a quiet sense of tension.

玄关延伸处，黑与白已为整个家写下基调。纯粹的留白让光线自由呼吸，深色块面在视线尽头沉稳落笔。干净，却不单薄；极简，却因木的介入，生出温度。

At the entrance, black and white already set the tone for the entire home. Expanses of pure  white allow light to breathe freely, while darker surfaces anchor the gaze with composure.  Clean, yet not thin; minimal, yet warmed by the presence of wood.

玄关转入客厅，深色木作沿墙面铺陈，行进至转角，直角收敛成一道圆弧。生硬的边界被柔化，视觉与步履得以自然转折，空间自此有了流动的方向。

From the entry into the living room, dark wood surfaces unfold along the walls. At the corner,  a sharp right angle softens into a curve. Hard boundaries dissolve, allowing both vision and  movement to turn naturally, giving direction to the flow of space.

空间里流淌的暖调，来自玫瑰木的铺陈，经意式零度哑光涂装，木质纹理褪去浮光，归于沉静。触摸时，如肌肤般温润；凝望时，哑光表面吸纳着光线，让木质的呼吸变得可感。坚硬与温柔，在这一层涂装里达成平衡。

The warmth that permeates the space comes from rosewood, finished with an intentional  zero-gloss matte coating. The grain sheds its superficial sheen, returning to a quiet depth.  To the touch, it feels as gentle as skin; to the eye, the matte surface absorbs light, making  the material’s “breathing” perceptible. Within this finish, hardness and softness reach a  balance.

玫瑰木质地坚硬致密，足以承载日常的细微碰撞与岁月摩挲。纹理舒展如山间溪流，触感温润如经年玉器，愈使用，愈显光泽。其材性稳定，不随气候更迭而轻易变形，自带淡雅清香，于呼吸间养护着居者的身心。

Rosewood is dense and durable, capable of withstanding daily wear and the passage of time.  Its grain flows like a mountain stream, its texture as smooth as aged jade, gaining luster with  use. Dimensionally stable, it resists deformation despite climatic changes and carries a subtle  natural fragrance that quietly supports the well-being of its inhabitants.

木作电视墙上，一道推拉结构，让屏幕得以适时隐现。推出时，功能呈现；拉回后，一切归于简洁。收纳与留白在进退之间找到平衡。视觉的宁静，源自每一处设计都被妥帖安放。

On the wooden TV wall, a sliding structure allows the screen to appear or disappear as  needed. Extended, it serves its function; retracted, everything returns to simplicity. Storage  and emptiness find balance in this movement. The calmness of the visual field comes from  each element being precisely placed.

电视墙一侧，直角退让为一道弧线，与玄关处的处理遥相呼应。弧面消解了边界的生硬，也让视线顺着它的曲度，自然转向下一段空间，视域在转折处得以延伸。

On one side of the TV wall, a right angle again yields to a curve, echoing the entrance. The  curved surface softens spatial boundaries, guiding the eye along its arc toward the next  space, extending the visual field through transition.

顺着圆弧往里，空间渐渐沉寂下来。一楼卧室隐于此处，设计褪去多余的表达，只留木色温润、光线沉静。古朴不是刻意的营造，而是每一处细节都安放得恰到好处。睡眠，原应如此。

Following the curve inward, the space gradually quiets. The ground-floor bedroom is tucked  within, where design sheds excess expression, leaving only the warmth of wood and the  stillness of light. The sense of antiquity is not imposed, but emerges from details placed with  precision. Sleep, in its essence, should be like this.

床头以半墙护墙作为分割，上半留白，下半沉稳，实用之外，更让墙面有了自己的节奏。中古色系贯穿其间，层次便在这上下之间自然显现。

The headboard wall is divided by a half-height panel: light above, depth below. Beyond  function, it introduces rhythm to the wall. A mid-century palette runs throughout, allowing  layers to emerge naturally between upper and lower parts.

木头在卧室里，划定了一方属于睡眠的疆域。它不打扰，只是安静地存在于触手可及之处，清晨的微光落在上面，深夜的呼吸停在上面。日复一日，木色愈加深沉，空间便有了自己的厚度。

In the bedroom, wood defines a domain devoted to rest. It does not intrude; it simply exists  within reach. Morning light settles upon it, and nighttime breath lingers over it. Day after day,  the tone deepens, and the space gains its own sense of weight.

沿此深入，第二室静待于前。木色不改，沉静如初，只在细微处生出自己的节奏。空间以相近的语调延续，各自成章。统一之中，自有千秋。

Deeper within, a second room awaits. The tone of wood remains unchanged—calm and  consistent—yet subtle variations introduce its own rhythm. The space continues in a similar  language, each area forming its own chapter. Within unity, there is diversity.

衣柜以木框为骨，藤编作门，复古的笔触在此轻轻落笔。二者相融，既守古意又添新趣。柜门轻启时，光影在藤隙间穿行流转，衣柜便成空间里的一道风景，精致也有了归处。

The wardrobe features a wooden frame with rattan-woven doors, gently introducing a  vintage touch. The combination preserves tradition while adding new interest. When the  doors open, light filters through the rattan weave, turning the wardrobe into a visual feature  within the space—refined, yet grounded.

藤编的纹理里，藏着时间的痕迹。匠人坐在光阴中，手指与藤条之间，有一种长久的默契，不必丈量，因为早已了然于心。机器可以复制纹路，却做不出这种温度。唯有匠人，能让藤编在木框上，找到属于自己的呼吸。

Within the texture of rattan lies the trace of time. The craftsman, working through years,  builds an unspoken understanding between fingers and material. Machines can replicate  patterns, but not this warmth. Only the human hand allows rattan to find its own rhythm  within the wooden frame.

沿着木作的圆弧，往下，空间未尽，故事也未尽。楼上留白处，楼下自有风景。行文至此暂且搁笔，余韵留待下回。

Following the curved wooden structure downward, the space continues, and so does the  story. What is left blank above finds expression below. Here, the narrative pauses—its  resonance reserved for the next chapter.

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△ 平面图

项目信息

木作品牌：Sacucci首席公馆

Project Brand: Sacucci 

空间设计师：周未红

Interior designer: Weihong Zhou

木作设计师：张小锋

Wood designer: Xiaofeng Zhang

木材材种：玫瑰木

Wood essence: Rosewood

涂装工艺：意式零度哑、水性漆

Coating: Italian-style wood finishing Gloss 0、Water-based paint

唯一制造商：南通飞云工艺家具有限公司

The sole manufacturer：Nantong Feiyun Craft Furniture Co., Ltd. 

项目摄影：单行线摄影-朴言

Photographer：Pu yan

文案撰写：云镜传媒

Copywriter：Cloud Mirror Media

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Interior Designer

“  周未红  ”

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设计师简介：

十七英里室内设计工作室 创始人和设计总监

十七英里室内设计是一家位于江苏南通的室内设计工作室，以有温度的设计、敏锐的艺术生活感为特点。

周未红的设计理念源于生活、发自内心，近年来游历世界50多个国家，体味不同的地域文化和设计源头，从管理工作跨界来到设计行业的她，采用个性化自定义方式满足客户需求，融合各种风格混搭。工作室涉猎室内空间设计、软装设计、家具设计等领域，致力于设计实用而美的家。

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